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Breed: Coton de Tulear
Date of birth: 15/01/2019
Gender: Male
Neck circumference: 26cm
Chest circumference: 49cm
Base of neck to base of tail: 46cm
Height to shoulder: 28cm
Weight: 5kg
Dougie has a very clear sense of his own station and it is, by his own reckoning, rather elevated. His owner puts it plainly: he would prefer to be carried. He accepts dressing up with equanimity. He sat on a stool and inside a box during a family photographic session and was, by all accounts, thoroughly content with both arrangements. He is cheeky in the way that only small dogs with an outsize sense of self-worth can be cheeky – not disobedient exactly, just quietly confident that the world will rearrange itself to accommodate him. He is also, beneath the self-possession, genuinely sociable, affectionate with people and broadly agreeable with other animals.
The Coton de Tulear takes its name from the Madagascan port of Tulear and its coat from the French word for cotton. Brought to the island centuries ago aboard trading vessels, the breed became so closely associated with Malagasy nobility that it was once referred to as the Royal Dog of Madagascar and its export was strictly controlled for generations. The fluffy, cottony white coat that distinguishes the breed is not merely decorative: it is hypoallergenic, remarkably soft and distinctly unusual in texture. The Coton remains relatively rare outside specialist circles, which gives any production or campaign featuring one an immediate element of novelty. Very few people can name the breed on sight but almost everyone stops to ask about it.
What Dougie offers a production is a combination of genuine quirkiness and real cooperativeness. He sits on platforms, spins in both directions, comes to call, stays reliably and gives a paw without fanfare. He enters and exits confined spaces without anxiety and works with props with the ease of a dog who has been placed in unusual situations before and found them acceptable. His compact size and cottony white coat make him a strong comedic casting option for scenarios that call for a dog of conspicuous self-regard and his underlying amiability means the comedy never tips into stress. For family productions, whimsical commercials and character-driven content, the combination of his look and his temperament is genuinely difficult to replicate.
A white Coton de Tulear is one of those subjects that photographers tend to fall for quickly. The texture of the coat, soft and cloud-like rather than silky or wiry, is unlike almost any other breed and captures beautifully under both natural and studio light. Dougie’s proven enthusiasm for dressing up makes him a natural for pet fashion and accessories campaigns and his prop work opens up product-adjacent compositions that require a dog to interact with objects rather than simply sit beside them. Luxury gifting brands, artisan pet product labels and lifestyle editorials with a playful editorial voice would each find in him a subject who brings personality as well as pictorial quality. He has already demonstrated that being placed in unusual positions for photographic purposes suits him entirely.
Animal friendly
Can be placed in position
Can work outdoors
Child-friendly
Come
Dog-friendly
Down
Enter/exit confined space
Food motivated
Happy to be handled
Leave item
Neutered
People friendly
Play tug of war
Sit on platform
Spin
Stay
Vet-friendly
Wear a hat or costume
Wear clothing and accessories
Works with props
Breed: Coton de Tulear
Date of birth: 15/01/2019
Gender: Male
Neck circumference: 26cm
Chest circumference: 49cm
Base of neck to base of tail: 46cm
Height to shoulder: 28cm
Weight: 5kg
Dougie has a very clear sense of his own station and it is, by his own reckoning, rather elevated. His owner puts it plainly: he would prefer to be carried. He accepts dressing up with equanimity. He sat on a stool and inside a box during a family photographic session and was, by all accounts, thoroughly content with both arrangements. He is cheeky in the way that only small dogs with an outsize sense of self-worth can be cheeky – not disobedient exactly, just quietly confident that the world will rearrange itself to accommodate him. He is also, beneath the self-possession, genuinely sociable, affectionate with people and broadly agreeable with other animals.
The Coton de Tulear takes its name from the Madagascan port of Tulear and its coat from the French word for cotton. Brought to the island centuries ago aboard trading vessels, the breed became so closely associated with Malagasy nobility that it was once referred to as the Royal Dog of Madagascar and its export was strictly controlled for generations. The fluffy, cottony white coat that distinguishes the breed is not merely decorative: it is hypoallergenic, remarkably soft and distinctly unusual in texture. The Coton remains relatively rare outside specialist circles, which gives any production or campaign featuring one an immediate element of novelty. Very few people can name the breed on sight but almost everyone stops to ask about it.
What Dougie offers a production is a combination of genuine quirkiness and real cooperativeness. He sits on platforms, spins in both directions, comes to call, stays reliably and gives a paw without fanfare. He enters and exits confined spaces without anxiety and works with props with the ease of a dog who has been placed in unusual situations before and found them acceptable. His compact size and cottony white coat make him a strong comedic casting option for scenarios that call for a dog of conspicuous self-regard and his underlying amiability means the comedy never tips into stress. For family productions, whimsical commercials and character-driven content, the combination of his look and his temperament is genuinely difficult to replicate.
A white Coton de Tulear is one of those subjects that photographers tend to fall for quickly. The texture of the coat, soft and cloud-like rather than silky or wiry, is unlike almost any other breed and captures beautifully under both natural and studio light. Dougie’s proven enthusiasm for dressing up makes him a natural for pet fashion and accessories campaigns and his prop work opens up product-adjacent compositions that require a dog to interact with objects rather than simply sit beside them. Luxury gifting brands, artisan pet product labels and lifestyle editorials with a playful editorial voice would each find in him a subject who brings personality as well as pictorial quality. He has already demonstrated that being placed in unusual positions for photographic purposes suits him entirely.