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Breed: Border Collie
Date of birth: 16/04/2018
Gender: Female
Neck circumference: 42cm
Chest circumference: 66cm
Base of neck to base of tail: 54cm
Height to shoulder: 54cm
Weight: 21kg
General Description
Give Callie a task and the rest of the world simply stops existing. She locks on, reads her handler’s smallest signal and works with the quiet intensity that has made her breed a byword for concentration. This is a dog who genuinely wants to get things right, not merely a dog who complies. She is easy with people, entirely unbothered by other dogs and content to treat them as background scenery, which on a busy location keeps her attention exactly where it should be.
The Border Collie takes its name from the hill country between England and Scotland and traces back to Old Hemp, a Northumberland dog whelped in 1893 who controlled sheep through a still, hypnotic stare rather than noise. Nearly every working collie alive descends from him. The Kennel Club recognised the breed in 1976, the same year the BBC launched One Man and His Dog and turned sheepdog trials into unlikely primetime viewing. Shep made John Noakes a household name on Blue Peter, Fly and Rex anchored the farmyard politics of Babe and a collie called Chaser famously learned the names of more than a thousand individual toys. Few breeds carry that combination of pastoral romance and sheer cognitive firepower.
Callie’s background is operational rather than theatrical. She has worked competition and public demonstration environments extensively and her specialist repertoire includes abseiling, zip line descents, moving through smoke and fire, scent detection across both people and environmental searches, search and rescue trailing plus distance handling at speed. She is spayed, has no medical concerns, travels happily and thrives on long working days. Fireworks and certain sudden bangs unsettle her initially, though she acclimatises quickly in context and carries on working.
There is a whole category of production Callie is built for and very few dogs can service it. Emergency services dramas, disaster narratives, mountain rescue storylines and wilderness thrillers all call for a dog who can genuinely track a person, search a collapsed environment or descend a rope face beside a handler. She does all of that for real, which means fewer cheats in the edit and more usable footage. Smoke effects and fire work hold no fear for her.
Her precision serves quieter scenes equally well. She takes a mark and stays on it, halts dead mid-run on an emergency stop, holds a long stay while the action unfolds elsewhere and delivers a single clean woof rather than an uncontrollable bark. She plays dead convincingly, lowers her head to the floor, finds a hidden item then singles out one specific object from a group and carries it back. Send-away work, distance handling at pace and reliable off-lead performance let directors stage sweeping exterior sequences across fields, moorland and water without a handler in shot. Rural drama, period farming stories and anything requiring an authentic working dog fit her naturally.
Callie belongs on location rather than on a seamless backdrop, so campaigns shot in the field are where she shines. Technical outdoor clothing, walking boots, hiking gear, 4×4 and adventure brands, working dog equipment, harnesses, tracking kit and countryside apparel all benefit from a dog who looks entirely credible on a hillside at speed. She wears clothing, hats, accessories, glasses, a muzzle and a GoPro without protest, and she is comfortable being suspended in a harness, which opens up aerial, climbing and rope-access imagery that most models cannot supply.
Being genuinely distraction proof and indifferent to food in frame makes her dependable around props and product. She holds consistent eye contact with her handler, responds to hand signals and remains patient through long sessions, so photographers can work methodically without losing her focus. Water work, agility apparatus, balance on moving objects and hoop work give action and sports brands plenty of dynamic material. Kay has confirmed she would appear alongside her, which suits partnership-led advertising for outdoor retailers, insurance, charity appeals and rural lifestyle titles where the handler and dog relationship is the story.
Can be placed in position
Come
Recall
Down
Lie down
Stop
Go to bed
Go to mark
Walk to heel
Leave it
Sit
Sit on a platform
Stay
Bark
Balance on object
Bow
Catch a treat
Catch an item
Cross paws
Fetch item
Follow a target
Give paw
Go around object/person
Go under/through
Head to floor
Jump into/out of car book
Paws up on object
Pick specific item from a group
Play dead
Send away
Spin
Touch item with nose
Work with target stick
Jump into object
Jump through a hoop
Fetch from water
Head on object
Close door
Play tug of war
Scent work
Walks off lead
Can work outdoors
Can work with water
Calm under pressure
Comfortable with strangers
Eye contact
Distraction proof
Friendly with children
Friendly with other animals
Good recall under distraction
Hairdryer friendly
Happy to be groomed
Happy to be handled by strangers
Happy to be suspended
Happy to wear clothing
Happy to wear glasses
Happy to wear GoPro
Happy to wear hat/accessories
Happy to wear muzzle
Ignorant of food distractions
Not reactive to loud noises
Patient for long sessions
Responds to hand signals/non verbal cues
Travels well
Socialised
Vacuum friendly
Works from distance
Breed: Border Collie
Date of birth: 16/04/2018
Gender: Female
Neck circumference: 42cm
Chest circumference: 66cm
Base of neck to base of tail: 54cm
Height to shoulder: 54cm
Weight: 21kg
General Description
Give Callie a task and the rest of the world simply stops existing. She locks on, reads her handler’s smallest signal and works with the quiet intensity that has made her breed a byword for concentration. This is a dog who genuinely wants to get things right, not merely a dog who complies. She is easy with people, entirely unbothered by other dogs and content to treat them as background scenery, which on a busy location keeps her attention exactly where it should be.
The Border Collie takes its name from the hill country between England and Scotland and traces back to Old Hemp, a Northumberland dog whelped in 1893 who controlled sheep through a still, hypnotic stare rather than noise. Nearly every working collie alive descends from him. The Kennel Club recognised the breed in 1976, the same year the BBC launched One Man and His Dog and turned sheepdog trials into unlikely primetime viewing. Shep made John Noakes a household name on Blue Peter, Fly and Rex anchored the farmyard politics of Babe and a collie called Chaser famously learned the names of more than a thousand individual toys. Few breeds carry that combination of pastoral romance and sheer cognitive firepower.
Callie’s background is operational rather than theatrical. She has worked competition and public demonstration environments extensively and her specialist repertoire includes abseiling, zip line descents, moving through smoke and fire, scent detection across both people and environmental searches, search and rescue trailing plus distance handling at speed. She is spayed, has no medical concerns, travels happily and thrives on long working days. Fireworks and certain sudden bangs unsettle her initially, though she acclimatises quickly in context and carries on working.
There is a whole category of production Callie is built for and very few dogs can service it. Emergency services dramas, disaster narratives, mountain rescue storylines and wilderness thrillers all call for a dog who can genuinely track a person, search a collapsed environment or descend a rope face beside a handler. She does all of that for real, which means fewer cheats in the edit and more usable footage. Smoke effects and fire work hold no fear for her.
Her precision serves quieter scenes equally well. She takes a mark and stays on it, halts dead mid-run on an emergency stop, holds a long stay while the action unfolds elsewhere and delivers a single clean woof rather than an uncontrollable bark. She plays dead convincingly, lowers her head to the floor, finds a hidden item then singles out one specific object from a group and carries it back. Send-away work, distance handling at pace and reliable off-lead performance let directors stage sweeping exterior sequences across fields, moorland and water without a handler in shot. Rural drama, period farming stories and anything requiring an authentic working dog fit her naturally.
Callie belongs on location rather than on a seamless backdrop, so campaigns shot in the field are where she shines. Technical outdoor clothing, walking boots, hiking gear, 4×4 and adventure brands, working dog equipment, harnesses, tracking kit and countryside apparel all benefit from a dog who looks entirely credible on a hillside at speed. She wears clothing, hats, accessories, glasses, a muzzle and a GoPro without protest, and she is comfortable being suspended in a harness, which opens up aerial, climbing and rope-access imagery that most models cannot supply.
Being genuinely distraction proof and indifferent to food in frame makes her dependable around props and product. She holds consistent eye contact with her handler, responds to hand signals and remains patient through long sessions, so photographers can work methodically without losing her focus. Water work, agility apparatus, balance on moving objects and hoop work give action and sports brands plenty of dynamic material. Kay has confirmed she would appear alongside her, which suits partnership-led advertising for outdoor retailers, insurance, charity appeals and rural lifestyle titles where the handler and dog relationship is the story.